Misfits: Hits from hell. Master Sound Productions, Franklin Square, NYC, NY, USA. 08-09.08.80

 

Description

 

I could go deep in this one but someone already did it and in a great way so here is a copy of what he said:

 

Format: 16-track tape

Engineer: Ben
Producer: Robbie Alter

Lineup:
Robbie Alter: guitar (songs 5, 11)
Glenn Danzig: guitar (song 12), vocals
Doyle: guitar (songs 1-4, 6-11)
Arthur Googy: drums
Jerry Only: background vocals (songs 1-6, 8-12), bass
Bobby Steele: background vocals (songs 3, 11-12), guitar

Author: Glenn Danzig
Publisher: Hell-bent Music

 

Original seeder's notes:
Supposed to have been released on Caroline Records the same day as
Misfits - "Cuts From The Crypt" on October 30th, 2001.
All copies of this album were supposed to be destroyed by Caroline due to "inferior mastering", but a few slipped by.
I got this from: MisfitsCentral.com
There is artwork on:
http://www.onethirtyeight.com/info/12hitsfromhell/ but the pics are segmented for some reason.


The liner notes from the disc (according to a few sites):

Recording:
Misfits began this recording session on 08/07/1980 with Bobby Steele on guitar and completed and mixed on 09/07/1980 with Doyle. For each song, Bobby laid down three guitar tracks (one lead track and two rhythm tracks). Doyle later added guitar tracks to most songs, which were then mixed with his guitar sound in the center. Two songs also include additional guitar by producer Robbie Alter. Excluding overdubs, each song was recorded in one take, except "London Dungeon", of which the band recorded two takes.

Mixing and mastering:
"Skulls" and "Astro Zombies" were later remixed for Collection I. Misfits later recorded a different drum track for "Halloween II" and remixed the song for the Halloween 7" (see 1981). Bill Inglot and Andrew Garver of Rhino Records re-mastered "Halloween" for the New Wave Halloween compilation album. All 13 songs were later remixed for 12 Hits From Hell (see 26/07/2001).


Originally intended to be a full-length release, like so many recordings before it, the MSP session instead became the launching pad for their legendary "Walk Among Us" album. Recorded on August 7, 1980, several of the twelve recorded tracks ended up being released on two classic Plan 9 Records singles, while the rest of the tracks remained unheard outside of tape dubbing and bootlegging. Part of the "Halloween" single was taken from these recordings while the "3 Hits from Hell" 7", which came out in April 1981, drew upon this session for "London Dungeon", "Horror Hotel" and "Ghouls Night Out".

These recordings came at a very important time for the band. A time in which they ultimately and unceremoniously kicked out guitarist Bobby Steele and replaced him with Jerry's little brother, Doyle. In fact, both Bobby and Doyle recorded various guitar tracks in this session (with Bobby laying down a vast majority of them) although the band was never actually a five-piece. Together, however, their styles intertwined to create a sound that the world hadn't experienced to date, and hasn't heard since.

This album is sequenced exactly as the band had envisioned it back in 1980, based on original hand-written notes on MSP letterhead (the handwritten song titles on the back are from those very notes). Like "Static Age" before it, "12 Hits From Hell" gives us all a proper historical view of the band. It's not simply a compilation or a splicing-together of random tracks from over the years - "12 Hits From Hell" is very much a perfectly focused picture of the band. This allows us a glimpse of where the
Misfits were at the time as well as where they were going in the years to come.

Tom Bejgrowicz / 2001


Production / tracking notes:
The versions of the recordings included here have been completely re-mixed and mastered for this release. They were taken directly from the original 16 track 2" master tapes as they were recorded in 1980. This mix is not meant to re-invent the past nor is it to emulate the original mixes either. It is a mix which draws heavily upon a bigger and fuller stereo sound, Bobby Steele's guitar tracks, Jerry's bass and the kick drumming of Googy.

All of the songs were recorded in one take except "London Dungeon" which took two full run-throughs in the studio. The band chose the first take as the version they'd use on the "3 Hits From Hell" single, Take two, never before heard outside of those sessions, is included here as a bonus track. The sound on this version is more straight forward based on the fact that the band did not bother recording over-dub tracks on guitar, bass or backing vocals for this take.


Back in late 1979/early 1980, Doyle gave me the "Horror Business" and "Bullet" singles when I expressed interest in the
Misfits. I dug the stuff a lot, but I craved more. Later in early 1981 he told me that he had a whole bunch of new Misfits stuff, as well as the unreleased "Static Age" music, and that I should check it out. At the time, I only had an 8-track player at my disposal, so he put all this incredible stuff on tape for me. The "new stuff" he spoke of was the MSP sessions and this is the sound and the songs I first fell in love with. The whole session had a great drum sound, good production, jackhammer bass and guitars all in perfect sync and incredible vocals. I played that tape constantly, I practiced drums to it and I even listened to it before basketball games - to psyche myself up!

The MSP sessions were a turning point for the
Misfits and it was August of 1980, just a year and a half since the now legendary "Static Age" recordings. The band's sound had evolved and a great metamorphosis was about to be captured on tape. They were well rehearsed, the songs were strong and the arrangements were simple - but extremely effective and powerful.

I remember Doyle riding his bicycle from Grove street in Lodi to my side of town with the "3 Hits From Hell" single and poster under his arm the whole way. Right then he told me about the new "Rock-a-billy" track that they were working on (that would become "American Nightmare" but that's another story…). Shortly after that Doyle did his first show with the band and took over for Bobby Steele on a permanent basis. The show was at Irving Plaza in New York City and Doyle was really excited about it. It was the first show I ever saw them at too.

In the summer of 1981 I did a photo session with the band, now known as the "cave" photos and I continued to shoot them until their break-up in 1983. Some of these photos from this recording's era and line-up are seen here in this packaging for the first time, ever.

The MSP sessions were ultimately used as demos for the "Walk Among Us" album (which came out in 1982). And as much as I love that album, I think these sessions have a feeling and a quality that the latter sessions would lack. These versions are special and they represent a moment when the
Misfits created a sound all of their own - one that's still just as fresh and exciting today as it was back in the fall of 1980. I still listen to this session all the time and I'm glad they're being re-mastered and released on CD - because that old 8-track of mine is just about worn out!

So, add this vital piece of the
Misfits puzzle to your collection and hear the moment all those pieces fell into place. The Misfits rule!

Eerie Von / 2001

 

 

Soundboard recording, Quality 10

 

Song llist

 

HALLOWEEN
VAMPIRA
I TURNED INTO A MARTIAN
SKULLS
LONDON DUNGEON
NIGHT OF THE LIVING DEAD
HORROR HOTEL
GHOULS NIGHT OUT
ASTRO ZOMBIES
WHERE EAGLES DARE
VIOLENT WORLD
HALLOWEEN II
LONDON DUNGEON - (ALTERNATE TAKE)

 

Do you want to trade it, mail me: vegueta37@yahoo.com

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